“Moholy-Nagy was a painter before he became the major proselytiser of the new
vision at the Bauhaus, and he was both of these before he was an active
photographer. His experience with the abstract organization of pictorial space
and with the school’s design curriculum clearly inform this photograph. A less
sophisticated artist would not have seen that a picture could be hung on such a
minimal scaffold of small incidents, traces, and shadows, precisely
related.”
via The Metropolitan Museum of Art
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