About four weeks ago, while the economic beating heart of Italy,
Lombardy, was facing an extraordinary emergency, dictated by an
invisible enemy, hordes of university
students and workers who had until then populated the streets of Milan,
Brescia, Bergamo, and Crema, were flocking to train stations, bound for
their hometowns scattered across the Italian peninsula. Along the
boulevards, leaves on the solid, wet branches of trees shook and then
languished in sudden gusts of wind while car lights flashed on a black
and mournful asphalt. The fear of a novel virus coupled with the
uncertainty of a foreseeable cure had driven hundreds of people to the
stations, already packed with panicking, masked travelers. All were
abandoning their afflicted adoptive cities, and their new homes –the
custodians of their dreams. “Sparing no thought for anyone but
themselves, large numbers of men and women abandoned their city, their
homes, their relatives, their estates and their belongings” (G.
Boccaccio, Decameron, Introduction). Masks covered their closed mouths
and perhaps the bittersweet smiles, exchanged with those they were
leaving behind. Anxiety was palpable and all eyes ventriloquized the
sorrow within. The lucky ones who had found a seat, a standing spot,
were squeezed like sardines unaware that their detached proximity would
be their last physical contact before their quarantine.
Three weeks ago, a 94-year old woman died in my hometown, a remote
village in rural Basilicata. Once it had been customary “for the women
relatives and neighbors of a dead man to assemble in his house to mourn
in the company of the women who had been closest to him […] his body
would be taken thence to a church in which he wanted to be buried, being
borne on the shoulders of his peers amidst the funeral pomp of candles
and dirges” (Ibid.). Now, only a few women gathered to cradle their
little hunchbacked neighbor. My sister was one of the nine people who
attended the burial rite; no flowers adorned the naked casket, no Mass
was celebrated, and no emotion transpired through the masks that covered
their faces. Every person stood 6 feet from the next, like pawns on a
chessboard, but the queen was gone. All were in checkmate. Woeful
chants that once echoed from the cemetery were suppressed and no tears
were shed; flowers on the gravestones were dry and only a lizard,
solitary and oblivious, basked in the sun near the circle of mourners.
No one dared to shoo it away; there was still pity and some humanity
left.
Ten days ago, newspapers around the world shared a set of
numbers: Italy’s new record for an Olympiad in which nobody had decided
to compete. 4,821 new cases and 793 deceased. Italians, trapped in their
homes from Bolzano to Lampedusa, had turned off the lights on their
balconies and no one was singing. The voices that until then had united
neighborhoods and towns during the first days of the lockdown were
silenced, no longer resounding like they once had during soccer world
championships. The rainbows and various Italian flags fluttering in the
March breeze bore the same motto: “andrà tutto bene” (everything will be
all right). And maybe everything will, as long as we stay home and
cling to our humanity, if we remain 6 feet from each other and keep an
eye on each other. After all “umana cosa è aver compassione degli
afflitti” (It is a human thing to have compassion for the afflicted).
-Written by Professor Marino Forlino, Scripps College Claremont California
Friday, April 10, 2020
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